46:49 Putting the final polish on the version of the track to be sent to the mix engineer, Matt automates some key effects to tighten things up as much as possible and add a little extra ear candy.
“At the end of the track, there’s this one vocal ad-lib that we kept. It looked like I was getting a lot of noise off it. It’s got the Waves CLA-2A on it as well, so I’ve just done a mute on that. There’s cutoff automation on one of the Omnispheres, plus filter cutoff running on the harmoniser things.”