I might find some other random ’90s synth and make an album with that! I gravitate towards crap gear rather than high-end stuff

too. Mine even more so as some of the oscillators don’t work on certain keys, which does actually create quite interesting effects when you’re playing arpeggios. You can get strange note drop-outs or some of the notes go out of tune with each other. That’s the beauty of old analogue gear.” something cool from those sounds. A couple of tracks were born out of that.” “Both those collaborations came about quite by chance as they were people who I became friends with. Degreelessness, the track with Prurient, came about when we hung out once and he suggested we work on something together. The collaboration was done over the net so I basically sent him parts of something I’d been working on and he sent it back with all his delay and pitchshifting on it. In that context it was like getting parts for a remix. I would like to do more of it actually in the studio as the same thing happened with the track I made with Raphaelle [Standell-Preston from Braids] as she’s based in Canada. She sent a whole bunch of stuff, which was all amazing but I only ended up using a little bit of it.”