FLEET FOXES style
[Bar 2] The only potentially tricky thing here is co- ordinating the sliding triad on beat three with your strumming hand so isolate this section and play it slowly at first if it’s causing problems. [Bar 4] Notice how we are using triads to create the sound of an F major 7 chord – don’t you agree that this voicing sounds a lot richer and also more ‘open’ than its traditional barre chord cousin? [Bar 13] Conventional open chord shapes often have lots of interesting voicings within them which just require moving a few notes around, either to an open string or a fretted note. Such is the case with this passage here as notes move within the chord to create more interest.