Guitar Techniques - - Play: Theory -

To show how ver­sa­tile the cir­cle of 4ths is, this ex­am­ple is very 80s. From now on we’ll de­vi­ate from full di­a­tonic se­quences as you’re more likely en­counter shorter, al­tered vari­a­tions of the cir­cle of 4ths in prac­ti­cal use. No­tice how in this ex­am­ple the E and D chords are ma­jor - they are func­tion­ing as sec­ondary dom­i­nants to the chords that fol­low (ie Am7 and G). No­tice too that the G chord at the end doesn’t go di­rectly to C.

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