Get The Tone
The magic combination of Les Paul through Marshall is the ballpark sound here. Obviously, no two amps and guitars are the same, but a bridge humbucker and a reasonably midrange- heavy valve overdrive sound will put you close. The repeating delays at the beginning are optional, but certainly come into their own when trying to recreate the ‘ out there’ sound effects in the breakdown section. Set your delay for the intro to 470ms, and feedback at 30 per cent ( about six repeats).