CD TRACK 3
[ Bars 80- 99] For the solo, you’ll be viewing the E5, B5 and C# 5 chords as having potential for several different scales. Slash generally moves between E blues, E minor pentatonic and E Mixolydian: observe the shift from E minor to C# minor ( E major) pentatonic shapes. Technically, you shouldn’t find too much challenging here: string bends, including unisons, double- stops, pinch harmonics, slides, a few hammerons, pull- offs and 6th intervals ( bar 95). Essentially, it’s a masterclass in the tastiest blues- rock soloing!