THOMAS LEEB DADGAD FINGERSTYLE
[ Bar 19] We are into the B section of the tune here: look out for some of the chords like this one. I’d suggest using ‘ pima’ approach to pluck these strings. [ Bar 23] There is a bit more going on in this bar than may initially appear. Watch out for the rest on the ‘ and’ of beat three – this momentary silence is an important feature, and may test your quick muting skills on both picking and fretting hands.