JW’S Example 5 COMPOUND BENDS
What goes up must come down, and then back up again even further! That’s the basic idea here, so you really need to ensure that your bending finger has a firm grip on the string. Remember to use the forearm and not the fingers for the bulk of the work here. From a harmonic perspective, these ideas are derived from C Dorian ( C D Eb F G A Bb), the second mode of the Bb major scale.