Ex­am­ples 16 & 17 HAYDN MELODY TENOR ADDED TO BASS PART

Guitar Techniques - - Play: Theory -

Fi­nally, we’ll add a Tenor voice to the Bass voice in the sec­ond guitar, en­sur­ing that all the prin­ci­ples of singa­bil­ity, in­de­pen­dence and mu­si­cal bal­ance and logic are main­tained. Ex­am­ple 16 plays the Bass and Tenor once on their own, and Ex­am­ple 17 plays it with the So­prano and Alto parts from Ex­am­ple 14 (which can be used as a back­ing track for this ex­am­ple). You can hear how all the voices work to­gether to ex­cel­lent mu­si­cal ef­fect.

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