Example1 Freddie Hubbard
Hubbard begins his chorus suggesting Cm7 and F7, then comes down Bb Mixolydian with chromatic passing notes over the Bb7 ending on the 3rd (A) and root of the F7. He then comes down F Half-Whole Diminished (or Altered Scale) resolving to Bb Mixolydian with chromatic passing notes over the Bb7 and suggests Fm7 and Bb7 over bar 6 of the chorus, going back to F Minor to anticipate the F7 chord followed by a repeated F note. Over the Gm7, he plays around G Dorian with a #4 (C#) thrown in, then comes down a rhythmic motif in C Half-Whole Diminished over the C7 and outlines Am7 then F over the Am7. On the D7, he seems to be treating it as Gm7, then descends in C Half-Whole Diminished initially, then chromatically, and over the final C7 comes up C7 then descends chromatically, ending on an enclosure idea ending on the 5th (C) of the F7.