Ex­am­ple1 Fred­die Hub­bard

Guitar Techniques - - Blue Note Anniversary Learnin Zone -

Hub­bard be­gins his cho­rus sug­gest­ing Cm7 and F7, then comes down Bb Mixoly­dian with chro­matic pass­ing notes over the Bb7 end­ing on the 3rd (A) and root of the F7. He then comes down F Half-Whole Di­min­ished (or Al­tered Scale) re­solv­ing to Bb Mixoly­dian with chro­matic pass­ing notes over the Bb7 and sug­gests Fm7 and Bb7 over bar 6 of the cho­rus, go­ing back to F Mi­nor to an­tic­i­pate the F7 chord fol­lowed by a re­peated F note. Over the Gm7, he plays around G Do­rian with a #4 (C#) thrown in, then comes down a rhyth­mic mo­tif in C Half-Whole Di­min­ished over the C7 and out­lines Am7 then F over the Am7. On the D7, he seems to be treat­ing it as Gm7, then descends in C Half-Whole Di­min­ished ini­tially, then chro­mat­i­cally, and over the fi­nal C7 comes up C7 then descends chro­mat­i­cally, end­ing on an en­clo­sure idea end­ing on the 5th (C) of the F7.

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