Ex­am­ple3 HER­BIEHAN­COCK

Guitar Techniques - - Lesson: Jazz -

Over­theF7­chordleading­in­totheBb7atthes­tartofthe­se­quence, Her­bieHan­cock­movesu­panAb­ma­j7arpeg­gio,then­comes­downBb Do­ri­anover­theBb7andthrowsi­na­nen­cir­clemen­tideaaroundBbover­the Eb7and­out­li­nesEbandEbm.Hethen­sug­gest­sFm7andBbAl­tere­dover­the Bb7,moving­in­toanEb6arpeg­gio.Over­theEb7andF7­chords,hethrows in­av­eryp­i­anis­ti­cideatrilling­be­tweenoc­taves(bars31-32),moving­in­toa de­scend­ingtripletsmo­ti­fover­theBb7andDm7b5.Over­there­main­derof the­p­ro­gres­sion,Han­cock­movesin­toa­trick­y16th-note­se­quenceweav­ing aroundCm7andG7on­theCm7­chor­dandFAl­tere­dontheF7.On­theDm7, hemovesupDm7andBb­ma­j7endin­gontheb9(Ab)on­theG7b9­chord, then­clos­esonCm7andFAl­tered,re­solv­ing­tothe3rd(D)andBboc­taves over­the­fi­nalII-V-IinBb.

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