Exam ple 9 Red Gar­land-bireli La­grene/ #4 mi­nor b5 end­ing/in­tro

Guitar Techniques - - Play: Theory -

3 2 2 3 3 3 Another ap­pli­ca­tion0 2 for the2 Half-di­min­ished 2 is to 3 cre­ate an3 end­ing or in­tro3 4 0 2 4 that con­nects chro­mat­i­cally from the #4 all the way down to the root. In this

6 3 3 in­stance,6 C#m7b5 Asus2 is utilised as a sub­sti­tute for G, work­ing our way down

3 3

3 3 2 2 0 the chords2 chro­mat­i­cally2 0 un­til we achieve the re­quired des­ti­na­tion, with the sonic ‘glue’ pro­vided by Dm/Ba high G root note con­sis­tently sound­ing within

3 ( Bm7b5 ) 3 3 3 each and ev­ery chord. Asus2

3

3 3

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