Exam ple 12 Charlie Parker - Bebop di­min­ished lines

Guitar Techniques - - Play: Theory -

Σ Here we see our first sin­gle-noteΣ line ex­am­ple il­lus­trat­ing sim­i­lar con­cepts10 to Ex­am­ple 11. The un­der­ly­ing se­quence is I VI II V in Bb (Bb G7 Cm7109 F7), 109 3 although our Di­min­ished re­har­mon­i­sa­tion makes light work of th­ese chords 108

3 8 with beau­ti­ful econ­omy of mo­tion through­out. Make sure you iden­tify the con­nec­tion be­tween th­ese melody lines and the un­der­ly­ing har­mony. Once you are com­fort­able with the prin­ci­ples, in­vent 3 some lines of your3 own. 3 3

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