[Bars 25-32] Use the fretting hand for all the staccato chords here (rather than muting with the picking hand), as you’ll get a more consistent sound. Watch out for the 16th-note pick-up rhythm from F5 to G5 which should follow the snare drum’s rhythm precisely. [Bars 33- 41] This is a composite of Moody’s rhythm and the overdubbed Gm arpeggio. You can play a Gm without the arpeggio, but this is a nice feature of the original. The Eb5 and F5 chords will barre the third finger, so if you catch the major 3rd on the second string (eg bar 37), it’s fine.