Ex­am­ple9 Michael Brecker ma­jor tri­ads de­scend­ing in whole steps (tones)

Guitar Techniques - - Lesson: Jazz -

Michael Brecker uses the E Whole-Tone scale as a ba­sic frame­work for this out­side line, mov­ing ma­jor tri­ads down in whole steps which ul­ti­mately

re­solve neatly to the Eb­maj9 (im­ply­ing Eb Ly­dian

by out­lin­ing F then Eb).

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