[Bar 1] It’s worth getting these major chord shapes under your fingers as they reappear at various points in the piece, sometimes as these original shapes and other times shifted up and down the fretboard. [Bar 11] Here’s a classic alternating bassline sequence that reappears several times. A real test for your fretting hand barre work! [Bar 19] There are various lead lines that appear in Clap and here’s the first of them. A good legato pull-off approach is needed here so you might to work on your fretting hand if you don’t play lead lines too often.