Ex­aM­PLE CARL VeRheYen MAS­teR­CLASS ...CON­TIN­UED

Guitar Techniques - - LESSON: VIDEO -

[Bar 15] Here’s the same idea as found in Bar 8, but this time us­ing a con­nect­ing fig­ure along the fifth string to move up from shape 3 to shape 4 of C ma­jor Pen­ta­tonic. and al­ways re­mem­ber that you could ex­tend this idea through all the shapes. [Bar 20] The last two beats of bar 20 em­ploy a four-note mo­tif mov­ing through shapes 1 and 5 of C ma­jor Pen­ta­tonic. No­tice how it con­tin­ues down to a fig­ure from Bb ma­jor Pen­ta­tonic (or G mi­nor Pen­ta­tonic), smoothly ne­go­ti­at­ing the tran­si­tion be­tween chords.

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