ExaMPLE CARL VeRheYen MASteRCLASS ...CONTINUED
[Bars 27-28] The Bb triad is interpreted as Bb7 here, and you can hear (and see) a string-skipped broken Bb7 arpeggio. [Bars 31-32] Similarly, the C Major triad is interpreted in a bluesy manner in this section. So we see a mixture of C Mixolydian (around beats 1 and 2 of both bars), and C minor Blues (in the last half of each bar). Remember that Carl is doing all these things without thinking about the theory.