Guitar Techniques - - LESSON: CREATIVE ROCK -


ex­Am­pLe 10 Now for the first of two ex­am­ples in which the five-note string­pair cell fol­lows a 5-0 note-con­fig­u­ra­tion. This par­tic­u­lar cell com­prises the same notes as Ex8 mov­ing in an as­cend­ing se­quence and, again, is treated dif­fer­ently in each oc tave. ex­Am­pLe 11 Here, we’re us­ing the same cell as in Ex10 on each string pair; only this time in a de­scend­ing se­quence. Once again, the cell is treated dif­fer­ently in each oc­tave.

L L LL L L LL L LexAm­pLe 12 This fi­nal ex­am­ple fea­tures a five -note string-pair cell that fol­lows a 0-5 note-con­fig­u­ra­tion. The cell is treated the same in each oc­tave, and is played us­ing a com­bi­na­tion of fret­ting-hand le­gato and pick­ing-hand taps with slides. The oc­taves at the very end of this line are just one ex­am­ple of how th­ese cells can be in­te­grated with other tech­niques in or­der to cre­ate well-bal­anced mu­si­cal re­sults. As I men­tioned in the main body copy, the whole point of learn­ing any tech­nique is to be ex­pres­sive with it.

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