1940sExAm­plE1 DjanGo-style ii v i line

Guitar Techniques - - LESSON: JAZZ -

It’s cus­tom­ary for Rein­hardt to treat both IIm and V of a IIm V I (Bm7-E7-A) as one event, se­lect­ing a dec­o­rated Bm6 arpeg­gio for both (R-b3-5-6). In bars 3-4 we see yet more em­bel­lished triad vo­cab­u­lary. Django would ap­proach those chord tones from above, be­low or any com­bi­na­tion of the two.

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