Guitar Techniques - - LESSON: VIDEO -

56-57] If you thought Carl’s solo so far is at the top of his tech­ni­cal he un­leashes this beau­ti­ful se­quence of 16th-note sex­tu­plets be­fore seam­lessly into an or­na­mented Bb7 arpeg­gio cho­broed.

joeazz-oe­fu­sion­boe Toe­his 59-61] Here Carl su­per­im­poses har­mony on a

ab­noean­n­goeu­lar tooethe pas­sag#e in­volves the use of phrase (bar 59, beat 3& end of

Bthe bar) which out­lines a Bb13#9 chord. This juicy chord is then trans­posed up to C13#9 and then Db13#9, cre­at­ing a pow­er­ful ten­sion on the un­der­ly­ing har­mony be­fore re­leas­ing into ma­te­rial drawn from Bb Ly­dian Dom­i­nant (Bb-C-D-E-F-G-Ab) in bar 61. This stunning one-take solo con­tains a wealth of great in­for­ma­tion that could keep you go­ing for months, if not years!

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