ExAMpLE CARL VeRheYen MASteRCLASS ...CONTINUED
56-57] If you thought Carl’s solo so far is at the top of his technical he unleashes this beautiful sequence of 16th-note sextuplets before seamlessly into an ornamented Bb7 arpeggio chobroed.
joeazz-oefusionboe Toehis 59-61] Here Carl superimposes harmony on a
abnoeanngoeular tooethe passag#e involves the use of phrase (bar 59, beat 3& end of
Bthe bar) which outlines a Bb13#9 chord. This juicy chord is then transposed up to C13#9 and then Db13#9, creating a powerful tension on the underlying harmony before releasing into material drawn from Bb Lydian Dominant (Bb-C-D-E-F-G-Ab) in bar 61. This stunning one-take solo contains a wealth of great information that could keep you going for months, if not years!