ExAMPLE CARL VeRheYen MASteRCLASS ...CONTINUED
[B2arx1x7x-x1x8x]xTxhxixs phrase uses D minor Pentatonic with the addition of the 9th (E2)toxxaxdxdxixnxtxexrexst; again, notice the ultra-smooth and natural position shifts. [B2arx1x9x-x2x0x]xAxnxoxther country style bend, this time the two strings ring together in adding some twang; this is followed by a D minor Pentatonic phrase which exploits the D on the open fourth string for timbral interest.
24-28]~Th~is [Bar phrase starts a signature Pentatonic lick that you’ll hear elsewhere in this solo. This is about the unlaziest you can be with the minor Pentatonic within a couple of positions. Note the skipped strings (you’ll need accuracy and muting awareness in both hands). Also notice how the Pentatonic phrase at the 4th and 3rd position transitions smoothly into the box position of D minDormP7entatonic, which then continues through several
or7sooep.histicaoeti.on anoed positions (adding an EDfm an Ab for bluesiness).