ExAMPLE CARL VeRheYen MASteRCLASS ...CONTINUED
[B4arxsx4x1x-x4x3x]xHxxere’s F major Pentatonic as you’ve rarely heard it. Notice the in4vexnxtixvxexcxhxoxrxdxspacing, rhythmic placement and how an E natural (the 7th of4thxexsxcxaxlxex) in bar 43 to add harmonic interest. You can learn these chordal structures but invent your own signature ideas in this vein. [Bars 49 and 54] Here Carl uses the whammy bar to add a vibrato which is unattainable with hands alone. The little ‘dipped’ note from A to G# at the end of bar 54 is a lovely touch. Such little flurries and flourishes would add interest to more or less anything you could play.