[B9ars 215-222] Just when you think Paul has thrown up his last shredding lick, he busts out this great three-notes-per-string alternate picked idea. Palm-muting is a must during the first bar for better articulation and a more percussive sound. It’s a great place to get your picking accuracy together. [Bars 223-230] Finally Paul and Billy play this cool hemiola ‘3 over 4’ pattern. It should make sense in the first four bars, but be very careful with your counting in bars 5-8, as it’s very easy to lose the ‘1’ (counting in halftime can really help here).