StriLnG-pa5ir cellsL ex­Am­pleS 10-n5ote

Guitar Techniques - - LESSON: CREATIVE ROCK -

L LrhyLthm, ex­am­ple 7 In this vari­a­tion on the same theme, to achieve the nine-note tuE­plet fo­cus on the fi1r7st (quar­ter-note pulse). Through­out the line, as in ex3, the beat al­ter­nat1e7s b1e0tw1e2en13a n1o5te played by thDe first fin­ger of the fret­ting hand and one played by a pick­ing-hand tap. ex­am­ple 8 Fi­nally, as a pre­cur­sor to the fol­low­ing les­son, we are go­ing to d22epart from our fo­cus on 10-note cells, to look at the con­cept of us­ing string-pair cells to play large note-group­ings. In this ex­am­ple, com­pris­ing and eight-note string-pair cell us­ing notes of the A mi­nor Blues scale, each idea takes one and a half beats (or 12 16th-notes) to com­plete, which, rh1y2thm(1i4c)ally, makes the pat­tern less repet­i­tive or pre­dictable. Tech­ni­cally, with this par­tic­u­lar ex­am­ple, it will help if you fo­cus on tap­ping out an eighth-note rhythm with the pick­ing hand.

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