AÏ 54Chord fraG­ments and Ltered ExAEMPLE

Guitar Techniques - - LESSON: JAZZ -

(CmJaj7-G7alt). neg4o­ti­ates This is the most ‘con­ven­tional’ jazz vo­cab­u­lary on dis­play here to­day, as

buJt Imaj7-∑V7alt SylvDAain a move in C Ini­tially he kicks off withA some dou­ble-stop and chord frag­ments from the sim­ple per­fectly

JJf1or­m8e1d1 C m8a­jor scale (C-D-E-F-G-A-B-C) be­fore mov­ing to G Su­per­locrian or ‘Al­tered’ sc3ale1a1g1ain­s9t our8G7alt har­mony7 (R-b2-#2-3-b5-#5-b7). We con­clude with a lovely de­scend­ing chro­matic tar­get­ing the 5th of C (G).

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