AÏ 54Chord fraGments and Ltered ExAEMPLE
(CmJaj7-G7alt). neg4otiates This is the most ‘conventional’ jazz vocabulary on display here today, as
buJt Imaj7-∑V7alt SylvDAain a move in C Initially he kicks off withA some double-stop and chord fragments from the simple perfectly
JJf1orm8e1d1 C m8ajor scale (C-D-E-F-G-A-B-C) before moving to G Superlocrian or ‘Altered’ sc3ale1a1g1ains9t our8G7alt harmony7 (R-b2-#2-3-b5-#5-b7). We conclude with a lovely descending chromatic targeting the 5th of C (G).