ExAMEDEPLE7 ChanG12es with b11end
Aho©w»S¡y•lvain HereE w4 e see mixes benBd7s, hamÏmÏer-Ïonbs ÏanndÏ pull-offs tEomcr7eate
ch#ÏordÏ log#icÏJand eExEcxex7p7:t:CioChnhaanlnlgygeflessuwiwdi∞tihltihnbebeenthndadt changesjwith an weaves through the chord sophisticati4on
äh and a clear sense of continuity. Major s wit a raised 4th maDkemanother apGp7earance hereC,amlo7ng with a selection of appropriate scale choices, so we see a variety of Dorian lines against each of the minor chords (R-2-b3-4-5-6-b7).