LA4RGe CoeeLLoeS ExAmPlES GRoUPInGS USInG StRInG-PAIR
example 2 [Six-note cell, 3-3 note-configuration] The seven-nLoatregerhOydthdm-Nicote HGeUxIaTtAoRn4icTsEcCaHleN: groupings in this example are applied to a string-pair cell derived from Am11 AIQ-BU-ECS-dM-EA-
1-2-b3-4-5-b7 theoe example 3 [Five-note cell, 2-3 note-configuration] Here, each nine
‰from note rhEythmic is taken the same A minor Pentatonic scale string-pair cell(s) used in Example 1.
useoed This is the first in a series of examples featuring 10-note rhythmic groupings. Pentatonic sca√le is in an expanded version of Example 1.
r~e.~10~-oe~note mo rhythmic groupings here; this time, ascending within a differeBnUtinversion of the A minor Pentatonic scale from the p1r5evi1o7us1e5xa1m7pl2e0: this o2n2e (u2s4e)s the same string-pair
3.√ cell(s) as (E6x)ample1s51a1n7d