ExAmpLE1 Line in 4ths throuGh chanGes
GOUIuTrAfiRrstTeExCaHmNpIQleUsEhSowMsAhGowAZJIiNmEma2k4es7mincemeat of these changes by employing chord tones. You may question the natuTrhale5J(Go)hangaWinhsteCa7t#c5roft (C-E-G#-Bb), although there is an argument that thiJsIcMhoMrdUshLoLuEldNacStuTaYllyLE be called C7b13, derived from the fifth mode of F Harmonic minor (F-G-Ab
indicative of the subsequent move in this direction to F minor. Jim also plays F major against F minor on beats 3 and 4 of bar 7.