ExAmpLE6 Groovy chanGes

Guitar Techniques - - LEARNING ZONE JIM MULLEN -

anB­gens­son/mon­tG­gom­mj7ery~i~nn­floeueoence We sEex­e6a: liGt­tr­loeob­viyt here, es­pec9ially with

tooetroeea#toetjheoeV7 in­oea the su­per­im­posed Bb­maj7 against CG7min7 bar 2. Yet more arpeg­gio9s form the

oeulle˙ kneoes II-oeV-oeI m# back­bone of n li TheFse#mli clasBsi7c#j5azz as an auGg­m7ented triad, as in bar84. nes8are all the way youGc­majn7 pi­ano#p5lay­ers, rnoes and hear ideas of this na­ture com­ing from trum­pets, an#doe­jso oeon,oein­doe­icoeatin­noeg toeha~t~‰m#uoellen#’soein#floeuences ho are not just gui­tarists.

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