M5ajo6 ExaMBplE4 r II-V-I-VI - deMonstratIon #2
GIn thDis example, Nigel is intr7oducing7a co5uple of new e6lem5en6ts in5 th6e w5ay he treats chord tones. The first of these is chromaticism: check out the first th5ree notes which are a be-bop approach to the F note (b3rd of Dm7). Then he fo5cuses on upper extensions: Nigel5is in9troducing the fir5st upper extension of the chord – the 9th. Check out the second Dm7 where he is aiming for the E note (9th of Dm7).