Straigoeht ExamplE2 mixing swung and feels
ovem4ents. neveoer oewhile longer and slightly more complex, this example has a few tricky moments: bar 6 being an example. The solution is to always slow things right down and rehearse
‘fudgeoe’ or0yooeu thBDe m th0roug2h cursing the piece, are
pa1ving the way for more of the same! notice how the last three bars are not swung, givEing a completely different feel.