Switching to the bridge pickup, this is also double tracked – right up to the blistering final phrase! note – we still aren’t in real ‘high gain’ territory. This is all about the delivery. don’t be put off by that final flurry; work through slow2ly,xrxexhxexaxrsxixnxgxthe movements and you’ll be surprised at the results!
Just a few ornamentations here behind the vocal, starting with a couple of volume swells. The double-tracking stops here in favour of a looser approach. Gary’s phrasing is exemplary, but don’t be too single-minded about every detail or you’ll start to sound mechanical – that has no place here!