Inoe­goe woe noeuoe­poe-pi­coek ioeThoe EXAMPLE3 16Ths sTarT a

Guitar Techniques - - PLAY | PICKING -

C 16ths start­ing with up-pick

stro.ng 75 75 54 5 4 42 42 64 3

mo­tion,£kee£pi¡ng™ g¡ro£ove In&this#ex4amp..le

5 N7.C. 9 95 79 9 3 57 73 5 7 7 23 5 5 23 5 5 3 5 6 53 5 This ex­am­A­ple il­lus­trates how 16th notes can be in­cor­po­rated into an eighth-note based riff with­out dou­bling pick­ing th¡ e and ooen of­foe­beat yoepick beoe­gins

economoe con­sis­tenBt. the 16ths start wit.h aoel­teroe­naoete poe­ick­ing) oean 5≤oe so your on an upstroke. As boeefore get the ba­sic pat­tern un­der your fin­gers (ideally

7≥≥≤ ≤9 play­ing thDrough first so you can con­cen­trate on keep­ing y7our pick­ing mo­tion con­trolled and con­sis­tent throughou7t. 5

57757 75 7 7 9979 97 9 7 5 57757 75 7 Ex 3 16ths start­ing with up-pick 57 7 5 7 7 5 7

Ex 3

4

Ex 3

Ex 4 T#riplets G

oeoe7 oe≤oe≥7 57 5 16ths.stao­ertin≥gw≤ith≥up-≤pic≥k

N.C. Triplets with 16th burstin3g

G.

N.C. 75 579 9 57 with 16th burst­ing

5

579

7

5

7

79

5

5

7

9775559 7 7≥≥A≤m

7

975

7 Am5 5

7

Fmaj7 11

oeoe7oeoeoeoeoe 9 10 9 7910 7 9

7 9 10

7

357

54

73 7oeoeoe9oeoeoe

7≤ 9 9

9

7

57

5

4 Bm7 ≥5 9 7

97 Bm79 57

97

9 10 12 Bm7 9

7

9

9

23

57

5

42

4 5235 ≤≥E7oeoe

7 757 75

2

≤5

5

7

35

57

6

7

64

5.

53 Am

7 7

3

7

5

5

5

7

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