Invers™ EXAMPLE9 FirsT ion Major Toeriadoesboeboe
sh&apes are4the ThesGe same as the more common five-string root position arp1e0ggios but instead start on the second note to create a four-string shape. The advaAnta&ge
of first inversion shapes over root position arpeggios is that the inverted shape spans just four frets, so there is no ungainly stretching or awkward fingering to negotiate. note the use of the open first string at the end of bar 4 providing a smooth position shift.