noeigel oedelvoees inoecrebaoesingoely To finish his ibntoeo the dnoea of thbeoe cbhbords. individ&ual importaoent in fa3ct, we can se3e how bars 443 and 45 are ‘explained’ in
his'4 playing: always suggesting the 3rd, which is the most chord tonbe
EEBas it suggests either major or minor tonality. in the final two bars nigel plays a very traditional blues turnaround and ends on a very sexy Bb9 (#11) chord. a traditional ending with a twist, if youb will.