Ex­aEm­plE3 out­side chRo­matic idea

Guitar Techniques - - LESSON | JAZZ -

ThisGidea in­cludes ma­te­rial that is out­side our d mi­nor tonal­ity, such db0 and Em t7ri­ad0s, mov­ing into a5frag0­ment a5Ha0lf-whole in5 ba5r

2. in bars 3-4 we re­solve this ten­sion with d mi­nor Pen­ta­tonic (r-b3-4-5-b7) and d Melod0ic mi­no7r (r-2-1b03-40-5-6-7) wi0th t0he in­cl0u­sion of a b5 (ab). The trick here is rhyth­mic in­tent. if the rhythEm is strong and bold you can play any ten­sion you de­sire, so long as you know how to re­solve by tar­get­ing one of the stronger tones from the key.


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