ExamplE6 tight Rhyth­mic phRas­ing

Guitar Techniques - - LESSON | JAZZ -

More open-string ac­tion here and once again we see the do­rian mode, although this time we’re in d (d-E-F-G-a-B-C). Our fo­cus here though is less about the notes and more on their rhyth­mic place­ment. Krantz is fastidiously an­a­lyt­i­cal when it comes to time keep­ing and fre­quently records his own play­ing when prac­tis­ing to hear if he’s rush­ing or drag­ging. need­less to say, it’s usu­ally ab­so­lutely dead cen­tre of the beat and that’s what you’re aim­ing for here.

Newspapers in English

Newspapers from Australia

© PressReader. All rights reserved.