in certain blues-derived styles it’s customary to b8lur the dis1t5i2nction between minor and major 3rd, particularly when used in conjunction with b7th intervals. The 7#9 enca8psul1a0tes t1h0is dua1li0ty, as the #9 is in all pra1c0tical8term1s0a b83rd. Her1e0we see how Wa8yne1m0ight9ba8lance these two sounds with a choice
smalloechord eaoesy selecDtion of double-9stops and foeragmoeents. Go on thoee gaoein as yoeouoewant a certain kind of clarity while also striving for edge and bite to the tone.