EXAMPL4E 2 GROups OF ThRee
This device appears i1n ma1ny c1lassic8solos and riffs, Thin Lizzy’s Chinatown being a gGreat example in Shape 5. You could use pull-offs for a7mo3re legato sound3, but we’ve opStehdapfeor1alternate picking for clarity. This time, S1h ape71 descends then Shape 2 ascends and so on up to Shape 5. notice we have th5ree beats of rest after the descending patterns and one after the ascending version. This is to ‘line up’ the beginnin7g of each shape with the first beat of the bar.