ExaEmx p6l#ES 7-10
L L LL L Lsoetitutoees examExpl6e 7 although tagged seamlessly onto the previous phrase, this
#w7hsuicsh4c/Aooemprises anCoei/nAdependoeent exampleF, consecutive 1-2-3 units, con line in its own right.
8≠aoend example example 9 It doesn’t all have to be a blur of 16th-note triplets and 32nd notes. Here, our unorthodox fingering for the Pentatonic scale leads toBsome fre≠sh-sounding 16th-note lines with ear-catching slides in both.
EL L L L L LL L L L L LL L L LL L L L Lexample 10 Heroee we hoeave a succession of 3-1-2 units hoeis
reminiscent of a pickinghaoend tapoeped
figure used by edwEa7rdsuvsa4n/AHalen in solo from Michael Jackson’s hit Beat It. again, like example 6 it’s taken laterally on the fretboard on the middle two strings up through the various positions. like examples 3 and 4, the pickinghand taps trace out an9eighth-note rhythm.