ExEax m2­plMEi1x23in­mg1i6sx­eim2n1igq1us3aev1em6r­siqw1ui1thaq1v4uein1r3t­supW1l4eitts1h1 qu14in­11­tu­plets

Guitar Techniques - - LESSON | JAZZ -

lick#s,oe­here­oewe oe­see tooe­great does∞every­thing WBhile al­lan in his pow­erDto/C1a4­vo1id1 clic1h de4­corate4d seeJ­more favour∞ite

We‰’ll onAe of his melodic forms, em­ployed ef­fect, based around

rhJyth­mic t‰he arpegg∑io a maj9 (r-3-5-7-9). of this shape later on,

prin­ci­ple∑con­sid­er­a­tion but for now our is com­po­nent of this line. Holdsworth’s time-fee#loeis won­der­fully fluid and he fre­quent­ly­oemixes up

group­ings, com­pletely spon­ta­neously and no doubt with­1o1ut a care in­8the9­world. You might wish to use words to as­sist you here, so bar 3 could be rhyth­mi­cally in­ter­preted as ‘univer­sity-3e&a-univer­sity.

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