EXAMPLE6 major to minor over i-iv Changes: robben Ford
Just aAEsxin6the previous example, this exercise illustrates how your blues8so6loing
ooepposbeoed will be improved#10 you play theoechobrdoes to simply
with the changes as oewithout youoe’re superimp&osing#P#entatonicoelicksplyoeaddoethe cjonoesiderinoeg3roed (C#)oeof chbooerd (a7oe)
evneoery simoe majooer a&chieve timoee over. To this the i
Eyou play over it; this is par8ticu6larly eff4e. ctive on~p~h~rase conclusions as in bars 2 alsojheoelps hoeig.hlight and 4oewhere a slide into thoee maoejor 3rd to the note. You’ll notice also that the major 6th interval is often added to minor Pentatonic licks (see example 9 for more info on this).