EXAMPLE9 dorian pentatoniC over blues Changes
This dominant 7th sequence illustrates how the dorian Pentatonic can be used do'rian
(G-BbC-d-e) Pe~n~ta~to~nic over any chord in a bSlhuuefsflperogression. You can spot G throughout, but bars 3 and 9 are particularly good. Both players use this scale extensively in their solos so this example5is in rather than beingCa7ttributed to either player.