Ex­am­G­plE3 doM­i­nant 7th chords in a slow blues Groove

Guitar Techniques - - LESSON|LEARNING ZONE -

This eAGx­am­ple uses ‘high’ voic­ings de­rived from the five shapes. Th­ese shapes are of­ten used by blues play­ers like Robben Ford and Robert Cray and help when work­iAng4 with key­boards. When you play this ‘old school’ triplet feel, the first triplet is light alternate pick­ing (down-down up-down) and the sec­ond triplet is ac­cenE­tu4ated down­strokes (down-down-down). Prac­tise this rhythm un­til it is easy to play and you can con­trol and add dy­nam­ics.

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