ExamGplE3 doMinant 7th chords in a slow blues Groove
This eAGxample uses ‘high’ voicings derived from the five shapes. These shapes are often used by blues players like Robben Ford and Robert Cray and help when workiAng4 with keyboards. When you play this ‘old school’ triplet feel, the first triplet is light alternate picking (down-down up-down) and the second triplet is accenEtu4ated downstrokes (down-down-down). Practise this rhythm until it is easy to play and you can control and add dynamics.