ExamplE2 FaSt Single-note lineS
lang’s single-note lines could be both intricate and speedy and he certainly knBDew&his
scoeale the‰dmJino (rJ- scales and modes, as this example ably demonstrates. From a notes
w4e0’re perspective, fo3r looking∑ at d ‘Blues’ r 3-4- 5-5- 7),
(r-23-3-4-5-6-b7) moAving to C Mixolydian/dominant scale fo2r C7, followed by
(A‰-Bb-C#-d-EF-G), a brief fragment of F Major scale before12a longer and more froJmoethe before1r2etoeurn‰ingJto involved phrase derived A Ph10rygian the fifth mode of the Harmonic m11inor s1ca2le, our home key of d minor.