ExBamplE9 bl2ueSy Pull-oFFS
ThiDs example con2tains a combination of ideas we’ve seen before, plus a s8imp7le buGteffective pull-off idea in bar 1, repeated twice but with a stron6g rhythmic andA melodic shape. We’re looking at clean articulation and reasonable volume,
Eso p8lay wit5hou(6t )be5in(g6h)eav(5y)han3ded, a3s we want a bold delivery but n6ot a rough or sound. More single-notes4combined with chords here as we progress and, again, these ideas derive from the underlying harmony.