Ex­am­ple9 Eighth-note Latin jazz lines

Guitar Techniques - - LEARNING ZONE -

Remler adopts a pre­dom­i­nantly eighth-note im­pro­vi­sa­tional ap­proach here to spell out the un­der­ly­ing changes, so make sure you are aware of the chord tones and arpeg­gios for each se­quence you are im­pro­vis­ing over. While she oc­ca­sion­ally punc­tu­ates the rhythm with pauses, the in­ten­tion here

Eis to main­tain a stream of notes, weav­ing through the chords with as lit­tle dis­rup­tion to the flow of the lines as pos­si­ble as the har­mony shifts be­tween

IIm7b5- Db C mi­nor events (Im-IVm- V7-Im), be­fore tem­po­rar­ily mod­u­lat­ing to (IIm7-V7-I), be­fore re­turn­ing to our C mi­nor home key to end.

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