ExAmPlE5 ALTERnATIVE APPROAcHES In BAR 4

eb9. and h4ere Tim demonstrates the use of a minor 7 approach to a dominant 7 chord from a semitone above: Fm7 approaches e9, which resolves down a semitone to Example 5A: Alternative approaches in Bar 4 4 Fm7 Fm11 Fm7 E9 E13 E9 Example 5A: Alternative approaches in Bar 4 4 4 Fm7 Fm11 Fm7 E9 E13 E9 Example 5A: Alternative approaches in Bar 4 Example 5A: Alternative approaches in Bar 4j #E9 E13j Fm7 Fm11 Fm7 E9 E13 3j F Fm11 Fm7 E‰ 9E 1oe 6 9 9 9 9 6 9 9 E9 E9 6 6 E E E˙ E 99 E9 Fm7 Fm11 Fm7

EExample 5B: Alternative approaches in Bar 4 Bb7 Example 5B: Alternative approaches in Bar 4 Ebb9 Fm7 Fm11 Fm7 B Exampbleoe Aoelternaoetive apbproacoehesBoe oein Example 5B:5B: AlternativeAlternative approachesapproaches inin BarBar 44 5B: Bar 4 Fm7F Fm11Fm11 Fm7Fm7 B 7 EE 9 E˙ Fmoe 11 F m7 Boe 7 9 6 9 9

E6 9 9 6 6 9 9 6 6 to a dominant9 6 7 chord9 (B 7), 9 which 6 resolves9 down a 5th to the ‘target’ of e 9. 9 9 9 9