ExamplE7 rhythm Changes, tenor VoIC­Ing

Guitar Techniques - - LEARNING ZONE -

As with the pre­vi­ous pair of ex­am­ples, here is the sin­gle-note tenor counter-melody ver­sion with just the fourth string sound­ing out. Th­ese parts are to­tally de­pen­dent upon the in­ter­ac­tion be­tween gui­tar, bass and front­line, so make sure you try this out with the GT back­ing track and, ul­ti­mately, with real mu­si­cians – as fre­quently as you can – un­til this in­ter­play be­comes sec­ond na­ture.

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